'Sinofuturism and its Uses' in Verge Studies in Global Asia, Vol. 7, No. 2, Fall 2021 (University of Minnesota Press)
'Jenna Sutela: Soul, meat and pattern.' re-published in Magic, Whitechapel: Documents in Contemporary Art, ed. Jamie Sutcliffe, MIT Press, 2021.
'The Wood for the Trees', Frieze #212, July 2020.
'Propositions', with Arts Catalyst, Pirate Care and Marcell Mars in 'Pause, Fervour, Reflections on a Pandemic', Harun Farocki Institut / Journal of Visual Culture
'Mathieu Gafsou' for Foam #56.
'The (insurable) Universe is Shrinking' for Gaia Art Foundation online platform.
'Avant-garde, Inc.' cover essay for ArtReview April '20.
'Jenna Sutela: Soul, meat and pattern.' for SLEEK #65.
'Has a Decade of Whistleblower Revelations Changed Anything?' for Frieze (online).
'The Web We Want' for AIGA Eye on Design issue #6.
'Re-wilding Pedagogy: Conversation with Nida Sinnokrot' for Klima Magazine.
'Re-envisioning the Internet' for Walker Soundboard 6.0, in collaboration with Are.na.
A profile on Lu Yang, for Frieze #201, March 2019.
A brief review of new movie adaptation of Liu Cixin's The Wandering Earth for Frieze (online).
'Thinking, Eating, Cleaning', a text for the catalogue of Steve Bishop's exhibition Deliquescing at KW Institute, Berlin, published by Sternberg Press.
Art Versus Silicon Valley: Are Artists Losing the Conceptual Advantage?
'Systems Seduction: The Aesthetics of Decentralization', winner of MIT Journal of Design and Science's 'Resisting Reduction' essay competition (MIT Press publication forthcoming).
'The Centre', in Self-service, a publication reflecting on the Peckham Experiment, edited by Ilona Sagar and Kirsty Hendry, Glasgow International 2018.
'Other Minds'Frieze (online)
'Miao Ying'3rd Exhibition Reviews Annual, published by the RCA and Minsheng Museum, Shanghai.
'Where Next?' Frieze May 2017.
'A tapeworm without a gut'performance at Beyond Telepathy, Somerset House and published in Annex, David Dale Gallery, 2018.
'Shen Xin: Strongholds'Exhibition text, Lychee One Gallery.
(On the Worthlessness of Contemporary Art): Hito Steyerl's Liquidity Inc. and Art Under NeoliberalismKing's Review (online).
'Plugs: Notes on Still Life (Betamale)'Foam magazine, Winter 2016.
'Chaos and Control'Frieze #182.
'Shanghai: Critic's Guide'Frieze (online).
'A Beautiful Disorder', Frieze #181.
'Moveable Type: Under Erasure', invited response to Karen Cunningham's work of the same name at The Showroom, London.
'Information Superhighway and Big Bang Data'Frieze #178.
'A Blueprint'Foreword for Daata Editions.
'Jon Rafman: Infinite Lives'Frieze #176.
'You'll know it when you see it'Elephant Magazine #23.
'Ed Atkins'Winner of the Breese Little Prize for Art Criticism vol. X.